For me, each work begins not with an image, but with a state — something sensed internally before it becomes form, rhythm, color, light, and meaning.
I work with inner landscapes, emotional states, the quiet tension between concealment and presence. My practice is rooted in color as a psychological and bodily experience.
Through layered watercolor forms, I explore permeability, softness, contraction, tenderness, and the subtle transformations that unfold within the inner world over time.
Nature enters my work not as scenery, but as an emotional architecture — through water, light, roots, air, flowering forms, and shifting atmospheres. The body and the landscape gradually dissolve into one another, becoming spaces that hold memory, vulnerability, fear, warmth, and emergence simultaneously.
My visual language has been shaped through years of working across different artistic disciplines, but painting became the place where these inner processes could unfold with the greatest openness, depth, and emotional precision.